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Wednesday, January 29, 2014

The Perks of Being a Wallflower


I'll be honest: I watched the movie before I read the book. I'll be really honest: I watched the movie three times before I read the book. Now, usually, I believe that if you watch the movie first, then you might as well not read the book at all (and you don't deserve to be literate). Half the fun of watching a book-to-movie adaptation is bitching about how they cut scenes or changed characters that feel integral to the story.

With Perks, though, I'm kind of glad I watched the movie first. It has been billed as "the Breakfast Club of the new millenium," and although this is a high standard to measure up to, I think that Perks pulled it off. The movie was written and directed by Stephen Chbosky, author of the book, which ensured that the movie was as close to the book as possible. There's also amazing acting by the three stars. Logan Lerman, at over 20 years old, realistically portrays a troubled fourteen year old. This was the first movie I had seen with Ezra Miller but it made me love him - his portrayal of Patrick was immediately likeable and surprisingly un-cliched.The film also shows Emma Watson is capable of expanding her acting abilities and can play more than the Hermione Granger character. And Mae Whitman, who voiced Katara in Avatar: The Last Airbender (the TV show, not the movie), was fabulous as Mary Elizabeth, one of Charlie's new friends.



Basically, Perks is the story of Charlie's freshman year of high school. At first, I was kind of afraid it was going to have that after-school-special feel ("and then the ugly nerd girl turned into a cheerleader and all the football players accepted the gay guy and they lived happily ever after"), but soon it became clear that that wasn't even close to the real story. Then I was sure it was going to be a Go Ask Alice/Jay's Journal situation ("and everything was terrible and nothing would ever get better and so she killed herself and he died of an overdose and that's what being a teenager is all about"), and actually that was a lot closer to the mark.

Charlie (played by Logan Lerman in the movie) is an introverted freshman who clearly has some issues, but finally feels accepted when confident, beautiful senior Sam (Emma Watson) and her similarly confident and outgoing stepbrother Patrick (Ezra Miller) take him under their wing.

The book is written as a series of letters to an unknown recipient, addressed simply as "dear friend." They chronicle Charlie's journey through his first year of high school, from his predictably unrequited crush on Sam to his first forays into drug use (he accidentally takes pot, then later purposefully drops acid), to his painful descent into a confused haze.

Even when everything seems to be going fine, there's a nagging feeling that something's off - Charlie keeps dropping hints about having "the memories" again, although the reader doesn't know what this means. At first it seems likely that they could be related to the suicide of his best friend, which occurred just the year before, but it soon becomes clear that there's something more.

As in Catcher in the Rye, it's clear that the protagonist might not be unbiasedly telling the whole story - while Holden is just a narrator whose perspective can sometimes be untrustworthy, Charlie's naivete and repressed memories conspire to make his version of reality less than reliable.

Perks is also similar to Catcher in that both main characters are lonely and struggling to be heard, and both of them end up in a psychiatric hospital, but that's where the resemblance ends. Holden is cynical and aloof, while Charlie is naive and desperately wants friends - he trusts everyone. 


Although Perks was published over ten years ago, it's still popular, and is still quoted often on tumblr (next to John Green quotes and artsy pictures of coffee). One of the reasons I think both the book and the movie have been so successful is their realistic look at high school. Although admittedly I don't have much experience in a "real" high school environment, this John Hughes-esque take on the teenage experience seems much more probable than the High School Musical version. It  doesn't show the world through rose-tinted glasses but offers up glimmers of hope in what would otherwise be an incredibly depressing situation.
http://ih0.redbubble.net/image.12606695.9128/sticker,375x360.png

Perks is never nostalgic, and openly mocks people who yearn to return to their high school "glory days" - but it also acknowledges the feeling that future is coming too fast, and the fear that "someday all these pictures will be old photographs." It's surprisingly funny even when it's heartbreaking, and most of all, it's utterly believable.
-Maya

Tuesday, January 28, 2014

D is for DAMN GOOD MUSIC

In this age when "there's only music so that there's new ringtones" (A Certain Romance), it has become increasingly difficult to find interesting, thought-provoking music that doesn't insult the intelligence of its listener (see: Katy Perry, Peacock).

Arctic Monkeys, an English indie rock band formed in 2002 by Sheffield schoolmates Alex Turner, Nick O'Malley, Matt Helders, and Jamie Cook, are clearly going against this trend. Alex Turner writes the lyrics for their songs, and I recently saw a comparison of his lyrics and the lyrics of Every Other Band Ever: where another singer might say "I miss her when she's away," Alex declares "She's a silver lining lone ranger riding / Through an open space / In my mind when she's not right there beside me" (from the song R U Mine?)


Simone always teases me for being so slow to understand dumb puns and jokes (just the other day I realized that the costume store on South Congress, Lucy in Disguise with Diamonds, is like THE BEATLES SONG LUCY IN THE SKY WITH DIAMONDS! whoooaaa), and I'm amazed whenever I hear any kind of wordplay - so I can barely keep up with Alex's brilliant, lightning-fast turns of phrase and witty lyrics. Nowhere is this more apparent than in Brianstorm, from their 2007 album Favourite Worst Nightmare. I was going to choose the best lyrics to include here, but really, it's all just so good. Listen to the whole thing here, or check out a cool lyric breakdown here.

Another of my favorite songs is Pretty Vistors (from the 2009 album Humbug), with the chorus "All the pretty visitors came and waved their arms / and cast the shadow of a snake pit on the wall." I love this line because although it seems initially nonthreatening, it hints at something dark and ominous writhing just beneath the surface and showcases Alex's incredible ability to create a vivid image with just a few well-chosen words. Many of the other songs from this album evoke a similarly menacing feeling; for example take these from Crying Lightning: "And though I tried so not to suffer the indignity of a reaction / There was no cracks to grasp or gaps to claw." Like Pretty Visitors, this song seems dark and urgent.

My whole life, I've always learned that the mark of a good book, poem, or movie is being able to find something new to think about whenever you revisit it, no matter how many times you might do so. I'm an obsessive song-listener anyway - if I find a song I like, I'll listen to all day, every day, until I can't stand to hear it ever again - but since I became fully entrenched in this Arctic Monkeys obsession, I've noticed a new meaning every time I re-listen to a song.

"I couldn't got the hang of poetry," Alex sings in the title track of their 2011 album Suck It and See, but time and time again he disproves this claim. Most of the lyrics to Arctic Monkeys' songs read like poems, and indeed the song "I Wanna Be Yours" (from their latest album AM) reworks punk poet John Cooper Clarke's poem of the same name. "I think he's a fantastic lyricist," Clarke says of Alex in an interview. "He's always changing, and as a band they won't be pinned down."

Although the band's sound changes dramatically throughout their many albums, Alex's distinct style is recognizable in all of them. In their first album, Whatever People Say I Am, That's What I'm Not, Alex's lyrics seem simpler than his later work, but no less powerful. My favorite song from that album is When The Sun Goes Down, which is about a "scummy man" picking up a young prostitute. It's heartbreaking, and I love how Alex's anger at the man transposes perfectly to sorrowful tenderness for the girl:
Bet she's delighted when she sees him
Pulling in and giving her the eye
Because she must be fucking freezing
Scantily clad beneath the clear night sky


Reckless Serenade, from the album Suck It and See (2011), illustrates how far he has come as a lyricist, and shows how the general feeling of the band has shifted from rough, raw melodies to more polished, refined songs:
The type of kisses where teeth collide
When she laughs, the heavens hum a stun-gun lullaby
Those twinkling vixens with the shining spiral eyes
Their hypnosis goes unnoticed when she's walking by

Contrast those tender lyrics with the bitterness of these from Perhaps Vampires Is A Bit Strong But..., again from Whatever People Say I Am, That's What I'm Not:   
'Cause all you people are vampires
And all your stories are stale
And though you pretend to stand by us
I know you're certain we'll fail.

Alex has never really opened up about his method of songwriting or the meanings behind his lyrics, showing a guardedness to discuss his intentions for his work which is typical of poets and authors of all kinds. "Does anyone even want to know what I think about it?" he says in an interview. Eventually he said that he was "quite happy" with how the lyrics for Arabella had turned out, and it's easy to see why:
Arabella's got a 70's head
But she's a modern lover
It's an exploration, she's made of outer space
And her lips are like the galaxy's edge
And her kiss the colour of a constellation falling into place


Alex also composed original songs for the movie Submarine, and his distinct lyrical style is present there too: "I etched a face of a stopwatch / On the back of a raindrop / And did a swap for the sand in an hourglass" (Piledriver Waltz), "And you can shriek until you're hollow / Or whisper it the other way / Trying to save the youth without putting your shoes on" (It's Hard To Get Around the Wind).

All these lyrics could easily stand alone, and sometimes when I'm reading them I almost forget that the songs they accompany are equally amazing. Alex singing them takes them to the next level, not to mention the incredible musical talent of the rest of the band. This performance of 505 never fails to give me chills, and I absolutely love this performance of I Bet You Look Good On the Dancefloor, when they headlined at Glastonbury last year.

~Maya

p.s. D is actually for Dangerous

Monday, January 27, 2014

Grammys 2014

Beyonce & Jay Z
Is any comment needed? Just look at this picture.

Lorde
Lorde absolutely ruled, weird witchy style, odd dancing and all. 

Hunter Hayes
Is that...is that a goat singing? Oh, no, just Hunter Hayes.

Katy Perry
DEMENTORS! FIRE! DANCING! WITCH COSTUME! GIANT BUBBLE! Good thing all that is going on so we don't notice the terrible, terrible music! 

Robin Thicke/Chicago
Do I even need to write anything for this? Everybody knows what I would say. I am seething. GAH.

Keith Urban/Gary Clark Jr.
Gary Clark Jr. was pretty awesome.

John Legend
I don't...I can't...blah.


Taylor Swift
My neck hurts just watching this!

Pink & Nate Ruess
tv show gifs
BRUNO MARS!!!!!!! Also, Cirque du soleil, anyone? I'm definitely not the biggest Pink fan, but that was definitely impressive. Wow. But I have to say, I was pretty disappointed with the second song. I love Nate Ruess, but he sounded like he was really straining his voice. I have to wonder if he's still having vocal issues, as he mentioned he was having a while ago. Especially since I know he's sounded infinitely better singing this song in the past. And he's proven before that he can really sing.

Ringo Starr
Still fantastic and adorned in a brightly colored suit, Starr rocked "Photograph" from his 1973 album.

Kendrick Lamar & Imagine Dragons
This was an interesting performance. There was some cool stuff going on with the drums, and the energy from both of them was crazy, but there was still something a little lacking about this performance.

Paul McCartney & Ringo Starr
YES. With McCartney on his brightly painted piano with Starr on drums, the pair of Beatles performed “Queenie Eye” from Macca’s latest album, New. The tempo was upbeat and McCartney commanded the vocals like a legend.

Willie Nelson, Kris Kristofferson, Merle Haggard, and Blake Shelton
This is a mess....I'll start reviewing these again as soon as something good happens.

Daft Punk & Pharrell & Stevie Wonder

Sara Bareillies & Carol King

Metallica & Lang Lang
Wow. The highlight of the night came in this huge, crescendoing, virtuosic performance. To quote Rolling Stone, "It reached its apex when Hammett played his regular solo and Lang Lang banged out discordant, modern classical motifs. Both Hetfield and Hammett gathered around him, and – with Pharrell Williams' approval in the audience – the "One" came full circle."

Macklemore & Ryan Lewis & Queen Latifah & Madonna
Did Queen Latifah just marry a bunch of people or...? Also, how many more times is Macklemore going to play this song at awards shows?

Queens of the Stone Age & Nine Inch Nails & Dave Grohl & Lindsey Buckingham
Thank the lord for good music. Despite it being cut off before it was finished (!!), this was a fantastic performance. To quote Rolling Stones' review, "If someone were to isolate the tracks of the song, it might sound like pretentious noodling – a little EDM flourish there, some jangly country guitar there, some Muppet-like drum crushing from Grohl and a whole lot of sweet vocal harmonies. But together, it made for a sound that was far trippier than the lighting rig but also something that was more than the sum of its parts." Josh Homme is impossibly, effortlessly cool and I really wish I could have seen the entire song.

~Simone


WINNERS

Record of the year 
"Get Lucky" -- Daft Punk featuring Pharrell Williams and Nile Rodgers -- WINNER 
"Radioactive" -- Imagine Dragons 
"Royals" -- Lorde 
"Locked out of Heaven" -- Bruno Mars 
"Blurred Lines" -- Robin Thicke featuring T.I. and Pharrell

Album of the year 
"The Blessed Unrest" -- Sara Bareilles 
"Random Access Memories" -- Daft Punk -- WINNER 
"Good Kid, M.A.A.D City" -- Kendrick Lamar 
"The Heist" -- Macklemore & Ryan Lewis 
"Red" -- Taylor Swift

Song of the year 
"Just Give Me a Reason" -- P!nk featuring Nate Ruess 
"Locked Out of Heaven" -- Bruno Mars 
"Roar" -- Katy Perry 
"Royals" -- Lorde -- WINNER 
"Same Love" -- Macklemore & Ryan Lewis

Best new artist 
James Blake 
Kendrick Lamar 
Macklemore & Ryan Lewis -- WINNER 
Kacey Musgraves 
Ed Sheeran

Best pop solo performance 
Sara Bareilles -- "Brave" 
Lorde -- "Royals" -- WINNER 
Bruno Mars -- "When I Was Your Man" 
Katy Perry -- "Roar" 
Justin Timberlake -- "Mirrors"

Best pop duo/group performance 
Daft Punk featuring Pharrell Williams and Nile Rodgers -- "Get Lucky" -- WINNER 
P!nk featuring Nate Ruess -- "Just Give Me a Reason" 
Rihanna featuring Mikky Ekko -- "Stay" 
Robin Thicke featuring T.I. and Pharrell -- "Blurred Lines" 
Justin Timberlake and Jay Z -- "Suit & Tie"

Best pop instrumental album 
Herb Alpert -- "Steppin' Out" -- WINNER 
Boney James -- "The Beat" 
Earl Klugh -- "Handpicked" 
Dave Koz, Gerald Albright, Mindi Abair and Richard Elliot -- "Summer Horns" 
Jeff Lorber Fusion -- "Hacienda"

Best pop vocal album 
Lana Del Rey -- "Paradise"
Lorde -- "Pure Heroine" 
Bruno Mars -- "Unorthodox Jukebox" -- WINNER 
Robin Thicke -- "Blurred Lines" 
Justin Timberlake -- "The 20/20 Experience -- The Complete Experience"

Best dance recording 
"Need U (100%)" -- Duke Dumont featuring A*M*E & MNEK
"Sweet Nothing" -- Calvin Harris featuring Florence Welch 
"Atmosphere" -- Kaskade 
"The is What it Feels Like" -- Armin Van Buuren featuring Trevor Guthrie
"Clarity" -- Zedd featuring Foxes -- WINNER

Best dance/electronica album 
"Random Access Memories" -- Daft Punk -- WINNER 
"Settle" -- Disclosure 
"18 Months" -- Calvin Harris 
"Atmosphere" -- Kaskade 
"A Color Map of the Sun" -- Pretty Lights

Best traditional pop vocal album 
"Viva Duets" -- Tony Bennett and various artists 
"To Be Loved" -- Michael BublĂ© -- WINNER 
"The Standards" -- Gloria Estefan 
"Cee Lo's Magic Moment" -- Cee Lo Green 
"Now" -- Dionne Warwick

Best rock performance 
Alabama Shakes -- "Always Alright" 
David Bowie -- "The Stars (Are Out Tonight)" 
Imagine Dragons -- "Radioactive" -- WINNER 
Led Zeppelin -- "Kashmir" 
Queens of the Stone Age -- "My God is the Sun" 
Jack White -- "I'm Shakin' "

Best metal performance 
Anthrax -- "T.N.T." 
Black Sabbath -- "God is Dead?" -- WINNER 
Dream Theater -- "The Enemy Inside" 
Killswitch Engage -- "In Due Time" 
Volbeat featuring King Diamond -- "Room 24"

Best rock song 
"Ain't Messin' 'Round" -- Gary Clark Jr. 
"Cut Me Some Slack" -- Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear -- WINNER 
"Doom and Gloom" -- The Rolling Stones 
"God Is Dead?" -- Black Sabbath 
"Panic Station" -- Muse

Best rock album 
Black Sabbath -- "13" 
David Bowie -- "The Next Day" 
Kings of Leon -- "Mechanical Bull" 
Led Zeppelin -- "Celebration Day" -- WINNER 
Queens of the Stone Age -- "... Like Clockwork" 
Neil Young with Crazy Horse -- "Psychedelic Pill" 

Best alternative music album 
Neko Case -- "The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You" 
The National -- "Trouble Will Find Me"
Nine Inch Nails -- "Hesitation Marks" 
Tame Impala -- "Lonerism" 
Vampire Weekend -- "Modern Vampires of the City" -- WINNER

Best R&B performance 
Tamar Braxton -- "Love and War" 
Anthony Hamilton -- "Best of Me" 
Hiatus Kaiytoe featuring Q-Tip -- "Nakamarra" 
Miguel featuring Kendrick Lamar -- "How Many Drinks?" Snarky Puppy with Lala Hathaway -- "Something" -- WINNER

Best traditional R&B performance 
Gary Clark Jr. -- "Please Come Home" -- WINNER 
Fantasia -- "Get It Right"
Maysa -- "Quiet Fire"
Gregory Porter -- "Hey Laura"
Ryan Shaw -- "Yesterday"

Best R&B song 
"Best of Me" -- Anthony Hamilton 
"Love and War" -- Tamar Braxton 
"Only One" -- PJ Morton featuring Stevie Wonder 
"Pusher Love Girl" -- Justin Timberlake -- WINNER 
"Without Me" -- Fantasia featuring Kelly Rowland and Missy Elliott

Best urban contemporary album
Tamar Braxton -- "Love and War" 
Fantasia -- "Side Effects of You" 
Salaam Remi -- "One: In the Chamber" 
Rihanna -- "Unapologetic" -- WINNER 
Mack Wilds -- "New York: A Love Story"

Best R&B album 
Faith Evans -- "R&B Divas" 
Alicia Keys -- "Girl on Fire" -- WINNER 
John Legend -- "Love in the Future" 
Chrisette Michele -- "Better" 
TGT -- "Three Kings"

Best rap performance 
Drake -- "Started From the Bottom" 
Eminem -- "Berserk" 
Jay Z -- "Tom Ford" 
Kendrick Lamar -- "Swimming Pools (Drank)" 
Macklemore & Ryan Lewis featuring Wanz -- "Thrift Shop" -- WINNER

Best rap/sung collaboration 
J. Cole featuring Miguel -- "Power Trip"
Jay Z featuring BeyoncĂ© -- "Part II (On the Run)" 
Jay Z featuring Justin Timberlake -- "Holy Grail" -- WINNER 
Kendrick Lamar featuring Mary J. Blige -- "Now or Never" 
Wiz Khalifa featuring the Weeknd -- "Remember You"

Best rap song 
"F***in' Problems" -- A$AP Rocky featuring Drake, 2 Chainz and Kendrick Lamar 
"Holy Grail" -- Jay Z featuring Justin Timberlake 
"New Slaves" -- Kanye West
"Started From the Bottom" -- Drake 
"Thrift Shop" -- Macklemore & Ryan Lewis -- WINNER

Best rap album 
Drake -- "Nothing Was the Same" 
Jay Z -- "Magna Carta ... Holy Grail" 
Kendrick Lamar -- "Good Kid, M.A.A.D City" 
Macklemore & Ryan Lewis -- "The Heist" -- WINNER 
Kanye West -- "Yeezus"

Best country solo performance 
Lee Brice -- "I Drive Your Truck" 
Hunter Hayes -- "I Want Crazy" 
Miranda Lambert -- "Mama's Broken Heart" 
Darius Rucker -- "Wagon Wheel" -- WINNER 
Blake Shelton -- "Mine Would Be You"

Best country duo/group performance 
The Civil Wars -- "From This Valley" -- WINNER
Kelly Clarkson featuring Vince Gill -- "Don't Rush" 
Little Big Town -- "Your Side of the Bed" 
Tim McGraw, Taylor Swift and Keith Urban -- "Highway Don't Care" 
Kenny Rogers With Dolly Parton -- "You Can't Make Old Friends"

Best country song 
"Begin Again" -- Taylor Swift 
"I Drive Your Truck" -- Lee Brice 
"Mama's Broken Heart" -- Miranda Lambert 
"Merry Go 'Round" -- Kacey Musgraves -- WINNER 
"Mine Would Be You" -- Blake Shelton

Best country album
Jason Aldean -- "Night Train" 
Tim McGraw -- "Two Lanes of Freedom" 
Kacey Musgraves -- "Same Trailer Different Park" -- WINNER 
Blake Shelton -- "Based on a True Story" 
Taylor Swift -- "Red"

Best Latin pop album 
Frankie J -- "Faith, Hope y Amor" 
Ricardo Montaner -- "Viajero Frecuente" 
Draco Rosa -- "Vida" -- WINNER 
Aleks Syntek -- "Syntek" 
Tommy Torres -- "12 Historias"

Best Latin rock, urban or alternative album 
CafĂ© Tacvba -- "El Objeto Antes Llamado Disco" 
El Tri -- "Ojo Por Ojo" 
Illya Kuryaki and the Valderramas -- "Chances" 
La Santa Cecilia -- "Treinta Dias" -- WINNER 
Los Amigos Invisibles -- "Repeat After Me" 

Producer of the year, nonclassical 
Rob Cavallo 
Dr. Luke 
Ariel Rechtshaid 
Jeff Tweedy 
Pharrell Williams -- WINNER

Best compilation soundtrack for visual media 
"Django Unchained" 
"The Great Gatsby" (deluxe edition) 
"Les Miserables" (deluxe edition 
"Muscle Shoals" 
"Sound City: Real to Reel" -- WINNER 

Best score soundtrack for visual media 
"Argo"
"The Great Gatsby" 
"Life of Pi" 
"Lincoln" 
"Skyfall" -- WINNER 
"Zero Dark Thirty"

Best song written for visual media 
Coldplay -- "Atlas" -- "The Hunger Games: Catching Fire" 
Jessie J -- "Silver Lining" -- "Silver Linings Playbook" 
Adele -- "Skyfall" -- "Skyfall" -- WINNER 
Colbie Caillat featuring Gavin DeGraw -- "We Both Know" -- "Safe Haven" 
Lana Del Rey -- "Young and Beautiful" -- "The Great Gatsby" (deluxe edition) 
Regina Spektor -- "You've Got Time" -- "Orange is the New Black"


Best music video 
Captial Cities -- "Safe and Sound" 
Jay Z -- "Picasso Baby: A Performance Art Film" 
Macklemore & Ryan Lewis featuring Ray Dalton -- "Can't Hold Us" 
Justin Timberlake featuring Jay Z -- "Suit & Tie" -- WINNER 
Jack White -- "I'm Shakin'"

Best music film 
Coldplay -- "Live 2012" 
Green Day -- "¡Cuatro!" 
Ben Harper With Charlie Musselwhite -- "I'm in I'm Out and I'm Gone: The Making of Get Up!" 
Paul McCartney -- "Live Kisses" -- WINNER 
Mumford & Sons -- "The Road to Red Rocks"

Wednesday, January 22, 2014

ACL 2014

What with many of the summer's biggest festivals, including Coachella, Big Day Out, Governer's Ball, and Firefly all introducing their lineups in the past few weeks, as well as the announcement that ACL's would be coming soon, it only seemed appropriate to make a list of the top 10 people that I would love to headline at ACL.

10. The Black Keys


I actually was pretty surprised that they didn't play last year. But there's still a chance for this year!

9. Interpol


It would be a pretty awesome way to celebrate their new album.


8. Red Hot Chili Peppers


Hands-down one of the greatest live bands around. I think it's time for them to come back around.

7. Green Day


Honestly, I don't know why this has never happened before. Green Day puts on an amazing show and I would love to see them live.

6. Biffy Clyro


Again, I don't know why this hasn't happened before. But it would be a great show. 

5. Lorde



This little rising star would be a perfect end to one of the thrilling days of the festival.

4. The Strokes


It's been four years since the last time they played ACL - I think it's time for them to come around again.



3. Paul McCartney


This may be a bit of an unreachable idea, but need I explain myself further? It's Paul McCartney. It would be incredible.

2. Arctic Monkeys



Yes, I know that they played last year, but seeing them return as headliners would be absolutely incredible. Apart from just being a great live band, a longer set would allow for more of their older classics (such as When the Sun Goes DownMardy Bum, A Certain Romance, and 505) alongside their new songs, which their hardcore fans would greatly appreciate hearing.

1. Arcade Fire



There's no doubt that Arcade Fire is one of the greatest live bands alive today, and with their new album out, I'm sure I'm not the only one praying that they will headline this year.

~Simone

P.S. As far as smaller acts go: Janelle Monae (please?), Miles Kane, Tame Impala, CHVRCHES, Peace (again, please?), Wavves, Foxygen, Diamond Youth, Temples, PHOX, and Lily & Madeleine would all be greatly appreciated.